{"id":407,"date":"2010-03-21T11:50:32","date_gmt":"2010-03-21T10:50:32","guid":{"rendered":"http:\/\/archiv.kirstin-arndt.de\/?page_id=407"},"modified":"2019-04-06T09:33:53","modified_gmt":"2019-04-06T08:33:53","slug":"curriculum-vitae-2","status":"publish","type":"page","link":"http:\/\/archiv.kirstin-arndt.de\/?page_id=407","title":{"rendered":"CV"},"content":{"rendered":"<p>&nbsp;<\/p>\n<hr style=\"border: none #000 1px;\" \/>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"9%\"><strong>1961<\/strong><\/td>\n<td width=\"91%\">in Otterndorf \/ Niedersachsen geboren<\/td>\n<\/tr>\n<tr>\n<td><strong>1991 &#8211; 1997<\/strong><\/td>\n<td>Studium der Bildhauerei und Malerei an der Staatl. Akademie der Bildenden K\u00fcnste Karlsruhe; Meistersch\u00fclerin, Diplom<\/td>\n<\/tr>\n<tr>\n<td width=\"9%\"><\/td>\n<td width=\"91%\"><\/td>\n<\/tr>\n<tr>\n<td width=\"9%\"><\/td>\n<td width=\"91%\">Lebt und arbeitet in D\u00fcsseldorf<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr style=\"border: none #222 1px;\" \/>\n<p><span style=\"color: #fff; background-color: #222;\"><strong> <span style=\"color: #222222;\">&#8211;<\/span>Einzelausstellungen (Auswahl) <\/strong><span style=\"color: #222222;\">&#8211;<\/span><\/span><\/p>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"9%\"><strong>2019<\/strong><\/td>\n<td width=\"91%\">LOODS12, Wetteren (Gent), B<\/td>\n<\/tr>\n<tr>\n<td width=\"9%\"><\/td>\n<td width=\"91%\">PS projectspace, Amsterdam, NL<\/td>\n<\/tr>\n<tr>\n<td width=\"9%\"><strong>2018<\/strong><\/td>\n<td width=\"91%\">Galerie Gisela Clement, Bonn<\/td>\n<\/tr>\n<tr>\n<td width=\"9%\"><\/td>\n<td width=\"91%\">Green on Red Gallery, Dublin, IRE<\/td>\n<\/tr>\n<tr>\n<td><strong>2016<\/strong><\/td>\n<td>Fuhrwerkswaage, K\u00f6ln (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><strong>2015<\/strong><\/td>\n<td>Galerie Kim Behm, Frankfurt<\/td>\n<\/tr>\n<tr>\n<td><strong>2014<\/strong><\/td>\n<td>Galerie Gudrun Fuckner, Ludwigsburg<\/td>\n<\/tr>\n<tr>\n<td><strong>2012<\/strong><\/td>\n<td>Galerie Gudrun Fuckner, Ludwigsburg (mit Philippe Richard)<\/td>\n<\/tr>\n<tr>\n<td><strong>2011<\/strong><\/td>\n<td>Galerie Olschewski &amp; Behm, Frankfurt (mit Stephen Bambury)<\/td>\n<\/tr>\n<tr>\n<td width=\"9%\"><strong>2010<\/strong><\/td>\n<td width=\"91%\">Galerie 5r\u00e4ume, Ludwigsburg (mit Andreas Reiter Raabe)<\/td>\n<\/tr>\n<tr>\n<td><strong>2009<\/strong><\/td>\n<td>Kunstverein N\u00fcrtingen (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Galerie Hamish Morrison (Projektraum), Berlin<\/td>\n<\/tr>\n<tr>\n<td><strong>2008<\/strong><\/td>\n<td>Institut Francais (Retour de Paris), Stuttgart (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><strong>2007<\/strong><\/td>\n<td>Studio A, Museum Gegenstandsfreier Kunst, Otterndorf (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><strong>2006<\/strong><\/td>\n<td>Irish Museum of Modern Art (process room), Dublin, Ire<\/td>\n<\/tr>\n<tr>\n<td><strong>2005<\/strong><\/td>\n<td>Galerie Michael Sturm, Stuttgart<\/td>\n<\/tr>\n<tr>\n<td><strong>2004<\/strong><\/td>\n<td>Mus\u00e9e des Beaux-Arts de Mulhouse, F (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><strong>2003<\/strong><\/td>\n<td>Galerie BURO EMPTY, Amsterdam, NL<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Kunstverein Neuhausen\/Fildern<\/td>\n<\/tr>\n<tr>\n<td><strong>2002<\/strong><\/td>\n<td>Galerie der Stadt Fellbach<\/td>\n<\/tr>\n<tr>\n<td><strong>2001<\/strong><\/td>\n<td>Heidelberger Kunstverein (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Galerie Michael Sturm, Stuttgart<\/td>\n<\/tr>\n<tr>\n<td><strong>2000<\/strong><\/td>\n<td>Mus\u00e9e de Valence (Art 3), F (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>St\u00e4dtische Galerie Villingen-Schwenningen (Kat.)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr style=\"border: none #222 1px;\" \/>\n<p><span style=\"color: #fff; background-color: #222;\"><strong> <span style=\"color: #222222;\">&#8211;<\/span>Gruppenausstellungen (Auswahl) <\/strong><span style=\"color: #222222;\">&#8211;<\/span><\/span><\/p>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td><strong>2018<\/strong><\/td>\n<td>\u00a0Backstage 2, Galerie Mehdi Chouakri, Berlin<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>\u00a0Backstage 3, Galerie Thomas Rehbein, K\u00f6ln<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>\u00a0Green on Red Gallery, Dublin, Ire<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>\u00a0soft?, MOMU, Fashion Museum Antwerpen, B<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>\u00a0Notre Dame des Fleurs, De Huiskamer, Amsterdam, NL<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>\u00a0CONSTRUCTOR, Galerie N-Z, Arendonk, B<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>\u00a0orten, E-Werk, Freiburg (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>\u00a0(fast) nichts, Galerie Kim Behm, Frankfurt a.M.<\/td>\n<\/tr>\n<tr>\n<td><strong>2017<\/strong><\/td>\n<td>Future, Green on Red Gallery, Dublin, Ire<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><span class=\"\">Vier Positionen<\/span> <span class=\"\">aus vier Orten <\/span><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Backstage, Galerie Sofie van de Velde, Antwerpen, B<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Reduzieren als Verdichtung, Galerie Mathias G\u00fcntner, Hamburg<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Rot kommt vor Rot, Museum Ritter, Waldenbuch<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Triple point, FONDATION FIMINCO, Paris<\/td>\n<\/tr>\n<tr>\n<td><strong>2016<\/strong><\/td>\n<td>Modi des Minimierens, Clement &amp; Schneider Galerie, Bonn<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>From Scratch, Pictura, Dordrecht, NL<\/td>\n<\/tr>\n<tr>\n<td><strong>2015<\/strong><\/td>\n<td>Paper V, Zeichnung, Clement &amp; Schneider Galerie, Bonn<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Standard International, Post Spatial Devices #2, Berlin<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Petra Rinck Galerie, D\u00fcsseldorf<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Museum gegenstandsfreier Kunst, Otterndorf (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>INTRO, Clement &amp; Schneider Galerie, Bonn<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Thoughts Around the Black Square, Museum Vasarely, Budapest, HU (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>that&#8217;s all, G262, Galerie Sofie van de Velde, Antwerpen, B<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Die Kunst der Faltung, Kunstraum Alexander B\u00fcrkle, Freiburg (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>construct!, Deutscher K\u00fcnstlerbund, Berlin<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>just that, Galerie Detterer, Frankfurt a. M.<\/td>\n<\/tr>\n<tr>\n<td><strong>2014<\/strong><\/td>\n<td>Die Kunst der Faltung, Museum f\u00fcr Konkrete Kunst, Ingolstadt (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Collector&#8217;s Choice Only! \u2013 MATERIAL, Kunstraum Alexander B\u00fcrkle, Freiburg<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Das, was man so hat. No. 2, &#8218;Dahlhausen viral&#8216;, Kunstmuseum Ahlen<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8222;Schwarz&#8220;, Thomas Rehbein Galerie, K\u00f6ln<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8222;Einknicken &#8211; Kante zeigen&#8220;, Museum f\u00fcr Konkrete Kunst Ingolstadt<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8222;Beyond the wall&#8220;, Kunstverein Bochum<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8222;Papier\/Paper IV, Collage&#8220;, kunstgaleriebonn, Bonn<\/td>\n<\/tr>\n<tr>\n<td><strong>2013<\/strong><\/td>\n<td>5 x 3, Kunstraum D\u00fcsseldorf, D\u00fcsseldorf<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8222;Wieder sehen&#8220;, Museum gegenstandsfreier Kunst, Otterndorf<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8218;PLASTIK&#8216;, kunstgaleriebonn, T\u00fcrmchenswall 68, K\u00f6ln<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Novecento mai visto\/ Highlights from the Daimler Art Collection, Museo di Santa Giulia, Brescia<\/td>\n<\/tr>\n<tr>\n<td><strong>2012<\/strong><\/td>\n<td><span style=\"text-decoration: line-through;\">DRAWING<\/span> QUOTE! Pigna Project Space, Rom, I (digitaler Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Arndt\/Fock\/Oberthaler\/Schulz, CCA Galerie, Andratx, Mallorca<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Zeigen. Audiotour von Karin Sander, Kunsthalle Karlsruhe<\/td>\n<\/tr>\n<tr>\n<td><strong>2011<\/strong><\/td>\n<td>Private\/Corporate VI, Daimler Art Collection, Berlin (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>American Abstract Artists\/Deutscher K\u00fcnstlerbund\/Galerie oqbo, Berlin<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Professorale, Kunstverein Schloss Untergr\u00f6ningen (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Galerie Gudrun Fuckner, Ludwigsburg<\/td>\n<\/tr>\n<tr>\n<td width=\"9%\"><strong>2009<\/strong><\/td>\n<td width=\"91%\">Galerie 5r\u00e4ume, Ludwigsburg<\/td>\n<\/tr>\n<tr>\n<td><strong>2008<\/strong><\/td>\n<td>Gastspiel, Museum Ritter, Waldenbuch (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Raumwechsel 10, Kunstraum Alexander B\u00fcrkle, Freiburg<\/td>\n<\/tr>\n<tr>\n<td><strong>2007<\/strong><\/td>\n<td>blinde date, Kunsthalle Bremerhaven<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Raumwechsel 9, Kunstraum Alexander B\u00fcrkle, Freiburg<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Gabriele M\u00fcnter-Preis-Ausstellung, Martin-Gropius-Bau, Berlin (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><strong>2006<\/strong><\/td>\n<td>Painted Objects, CCNOA, Br\u00fcssel<\/td>\n<\/tr>\n<tr>\n<td><strong>2005<\/strong><\/td>\n<td>5 aus Karlsruhe, Kunstverein Offenburg<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Sammlung Alison und Peter W. Klein (Rectus), Schloss Ludwigsburg<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Painted Objects, PS projectspace, Amsterdam<\/td>\n<\/tr>\n<tr>\n<td><strong>2004<\/strong><\/td>\n<td>Green on Red Gallery, Dublin<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>St\u00e4ndige Vertretung Baden-W\u00fcrttemberg, Berlin<\/td>\n<\/tr>\n<tr>\n<td><strong>2003<\/strong><\/td>\n<td>settings #1 . loop, Berlin<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Der silberne Schnitt, W\u00fcrttembergischer Kunstverein, Stuttgart (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><strong>2002<\/strong><\/td>\n<td>Szenen aus dem Alltagsleben, Ludwigsburger Kunstverein (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><strong>2001<\/strong><\/td>\n<td>chairs in contemporary art, St\u00e4dtisches Museum Udine (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><strong>2000<\/strong><\/td>\n<td>2000 Kunstpreis Sickingen 2000, Kaiserslautern (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Painting, Galerie Michael Sturm, Stuttgart<\/td>\n<\/tr>\n<tr>\n<td><strong>1999<\/strong><\/td>\n<td>Sommer 99, Galerie Michael Sturm, Stuttgart<\/td>\n<\/tr>\n<tr>\n<td><strong>1998<\/strong><\/td>\n<td>Downtown, W\u00fcrtt. Kunstverein, Stuttgart (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Kunstpreis H\u00fcrth, Kunstverein H\u00fcrth, im Werk P2 (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><strong>1997<\/strong><\/td>\n<td>K\u00fcnstlerhaus, Ulm<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Meistersch\u00fcler 1997, Schlo\u00df Bruchsal (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Traverse \u2013 7 Positionen junger Kunst, Mannheim (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>jus primae noctis, Galerie Akinci, Amsterdam<\/td>\n<\/tr>\n<tr>\n<td><strong>1996<\/strong><\/td>\n<td>Skulptur S\u00fcdwest, Badischer Kunstverein, Karlsruhe (Kat.)<\/td>\n<\/tr>\n<tr>\n<td><strong>1995<\/strong><\/td>\n<td>Impulse Galerie L\u00f6hrl, M\u00f6nchengladbach (Kat.)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr style=\"border: none #222 1px;\" \/>\n<p><span style=\"color: #fff; background-color: #222;\"><strong> <span style=\"color: #222222;\">&#8211;<\/span>Preise, Stipendien, Projekte<\/strong><span style=\"color: #222222;\">&#8211;<\/span><\/span><\/p>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"9%\"><strong>2016<\/strong><\/td>\n<td width=\"91%\">Gutachterin im Gutachterverfahren \u201eGestaltung Schadowstra\u00dfe\u201c der Stadt D\u00fcsseldorf<\/td>\n<\/tr>\n<tr>\n<td><strong>2015<\/strong><\/td>\n<td>CCA, Art Foundation Mallorca (Arbeitsstipendium)<\/td>\n<\/tr>\n<tr>\n<td><strong>2012<\/strong><\/td>\n<td>CCA, Art Foundation Mallorca (Arbeitsstipendium)<\/td>\n<\/tr>\n<tr>\n<td><strong>2010<\/strong><\/td>\n<td>CCA, Art Foundation Mallorca (Arbeitsstipendium)<\/td>\n<\/tr>\n<tr>\n<td><strong>2007<\/strong><\/td>\n<td>Expo 2008, Deutscher Pavillon, 1. Preis, Mitarbeit im Wettbewerbsteam und an der Konzeption f\u00fcr<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Totems | Communication &amp; Architecture + Reinecke New Media<\/td>\n<\/tr>\n<tr>\n<td><strong>2006<\/strong><\/td>\n<td>Irish Museum of Modern Art, Dublin, Irland (Arbeitsstipendium des IMMA)<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Wettbewerb Holocaust-Mahnmal in Wien, 1. Preis; in Koop. mit Architekturb\u00fcro Fischer Naumann Partnerschaft, Stuttgart<\/td>\n<\/tr>\n<tr>\n<td><strong>2005<\/strong><\/td>\n<td>Cit\u00e9 de Paris (Arbeitsstipendium des Landes Ba.-W\u00fc.)<\/td>\n<\/tr>\n<tr>\n<td><strong>2002<\/strong><\/td>\n<td>ceaac, Strasbourg (Arbeitsstipendium des Landes Ba.-W\u00fc.)<\/td>\n<\/tr>\n<tr>\n<td><strong>2000<\/strong><\/td>\n<td>Sickingen-Kunstpreis, Kaiserslautern, 2. Preis<\/td>\n<\/tr>\n<tr>\n<td><strong>1999<\/strong><\/td>\n<td>Kunststiftung Ba.-W\u00fc., Stipendium<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>art 3, Valence (Arbeitsstipendium des Landes Ba.-W\u00fc.)<\/td>\n<\/tr>\n<tr>\n<td><strong>1996<\/strong><\/td>\n<td>Kunstpreis \u00d6kologie 1996, AEG, N\u00fcrnberg, 2. Preis<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<hr style=\"border: none #222 1px;\" \/>\n<p><span style=\"color: #fff; background-color: #222;\"><strong> <span style=\"color: #222222;\">&#8211;<\/span>Lehrt\u00e4tigkeit<\/strong><span style=\"color: #222222;\">&#8211;<\/span><\/span><\/p>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"9%\"><strong>seit 2006<\/strong><\/td>\n<td width=\"91%\">Professur f\u00fcr Freie Gestaltung\/Kunst an der Hochschule Mainz<\/td>\n<\/tr>\n<tr>\n<td><strong>2005 &#8211; 2006<\/strong><\/td>\n<td>Vertretungsprofessur, Staatl. Akademie der Bildenden K\u00fcnste Karlsruhe<\/td>\n<\/tr>\n<tr>\n<td><strong>2004 &#8211; 2005<\/strong><\/td>\n<td>K\u00fcnstlerische\/Wissenschaftliche Angestellte, Universit\u00e4t Karlsruhe, Fakult\u00e4t Architektur, Institut Bildende Kunst<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<hr style=\"border: none #000 1px;\" \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; 1961 in Otterndorf \/ Niedersachsen geboren 1991 &#8211; 1997 Studium der Bildhauerei und Malerei an der Staatl. Akademie der Bildenden K\u00fcnste Karlsruhe; Meistersch\u00fclerin, Diplom Lebt und arbeitet in D\u00fcsseldorf &#8211;Einzelausstellungen (Auswahl) &#8211; 2019 LOODS12, Wetteren (Gent), B PS projectspace, Amsterdam, NL 2018 Galerie Gisela Clement, Bonn Green on Red Gallery, Dublin, IRE 2016 Fuhrwerkswaage, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/archiv.kirstin-arndt.de\/index.php?rest_route=\/wp\/v2\/pages\/407"}],"collection":[{"href":"http:\/\/archiv.kirstin-arndt.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.kirstin-arndt.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.kirstin-arndt.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.kirstin-arndt.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=407"}],"version-history":[{"count":143,"href":"http:\/\/archiv.kirstin-arndt.de\/index.php?rest_route=\/wp\/v2\/pages\/407\/revisions"}],"predecessor-version":[{"id":2877,"href":"http:\/\/archiv.kirstin-arndt.de\/index.php?rest_route=\/wp\/v2\/pages\/407\/revisions\/2877"}],"wp:attachment":[{"href":"http:\/\/archiv.kirstin-arndt.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}